MCT Board Member Profile: Erin Burke

by Max Seigle

1. WHERE ARE YOU FROM AND HOW LONG HAVE YOU BEEN IN MILWAUKEE?

I’m originally from Madison. I spent my college years in Milwaukee at UWM and lived in Austin, Texas for a while. I moved back to Milwaukee in 2013 after Baird recruited me for a job here. I love being back in Wisconsin because I’m close to family and friends again, and it’s amazing to see how Milwaukee has grown since my college days. 

2. HOW DID YOU LEARN ABOUT MCT AND WHAT INSPIRED YOU TO JOIN THE BOARD?

I learned about MCT through UPAF (United Performing Arts Fund). I joined the organization’s Next Generation Council and a staff member referred me to MCT’s producing artistic director, Michael Wright, and managing director, Kirsten Mulvey. When I met them, it was just a really good fit right away and they made the decision to join the board an easy one.

Erin Burke.

I also became involved because theatre has always been a big part of my life. I studied classical theatre and production stage management at UWM and spent college summers working behind the scenes in theatre companies in the Madison area. It’s important for me, as well, to serve the arts community. I genuinely believe giving my time and financial support is a privilege.

3. FAVORITE PLAY OR PLAYS?

MASTER CLASS (2014-2015) was definitely a favorite. As board members, we get a chance to sit on an “Adopt a Show” committee and work to fill the seats during a show’s run. MASTER CLASS was the first show I did that for and we nearly sold out opening night. I remember the standing ovation; you could feel the energy in the crowd! I just have beautiful feelings about that night.

I am now looking forward to GREAT EXPECTATIONS in the upcoming season. I think that is going to be an amazing production because everybody has an attachment to that play, and I think it will be a great way to close out the season.

4. FAVORITE ACTOR(S)?

Angela Iannone, who played Maria Callas in MASTER CLASS, was incredible.

I love James Pickering. He was in LOVE STORIES last season and I just think he’s a local gem.

I am also a big fan of Doug Clemons and Adam Estes. They were in a show last December called THE STORY OF MY LIFE that was a partnership between MCT and the Milwaukee Opera Theatre. Clemons and Estes are probably two of Milwaukee’s strongest vocalists, and to see them in the same show together was a once-in-a-lifetime experience.

5. WHAT ARE SOME OF YOUR PROUDEST MOMENTS BEING A PART OF MCT?

I really enjoy sitting at the board meeting and looking around the table. It’s an incredible group of people, everyone from community leaders to business professionals that have helped build Milwaukee. We have a growing group of young professionals, too.

I’m very proud of the way the board embraces a new person that joins and really tries to play to their strengths. We help them find their place and I think that’s what makes them stay with us.

6. WHAT DO YOU DO PROFESSIONALLY?

I am a retirement specialist and financial advisor at Baird. I have been in that role since moving to Milwaukee three years ago. I have an office in Waukesha and spend a few days of the week serving clients in Madison. I love the work because it allows me to blend my financial background with my ability to connect to people well. It’s really important to me that I’m there to guide my clients through this kind of critical life planning. I’m also passionate about closing the gap in financial education for women, and this role allows me to do that.

7. WHAT DO YOU DO FOR FUN? ANY HOBBIES?

My husband and I are big “foodies.” We even plan vacations based on restaurants we want to try.

We also love to travel. We like to do those get in the car and see the country kind of trips. One of my favorites was five years ago when we drove to Yellowstone Park. When we arrived, it was dusk, you could see the fog rolling in and there were two bison at the main gate. It was just breathtaking. I didn’t even know something like that existed in the United States.

One other big love of mine is promoting dog rescue, especially senior dogs. My husband and I have rescued two of them. We have a Corkie-Chihuahua mix named Winston, and a Pug-Chihuahua mix named Elsie. We take them everywhere with us. If I could bring them to work, I would!

8. FAVORITE PLACE TO GRAB DINNER BEFORE A MCT SHOW?

Onesto in the Third Ward. I love their mushroom gnocchi. I also love Merriment Social in Walker’s Point. They have great tapas and a gastropub menu as well.

9. FAVORITE WISCONSIN SPOT THAT NEVER GETS OLD?

My husband, George, and I love to go to Door County in the fall. It’s just a really incredible place to disconnect. There is so much to see there experiencing Wisconsin at its best. And it’s a fun drive to go there and pass through the Green Bay area, it’s very pretty.

10. FAVORITE SUMMER FESTIVAL IN MILWAUKEE?

Festa Italiana. I like the food, music and people there. I feel like it’s a smaller version of Summerfest and not quite as crowded. It’s really family-friendly, too, and I really enjoy that part of it.

11. ANY OTHER ORGANIZATIONS THAT YOU’RE A PART OF THAT YOU ENJOY AND WANT PEOPLE TO KNOW ABOUT?

I sit on the Next Generation Council with UPAF. It is made up of leaders from various Milwaukee companies, large and small. We focus on promoting and engaging the next generation of philanthropists for the Milwaukee arts scene. We want to keep it thriving for years to come. This group is really the next generation of leaders in the city and I just feel privileged to be a part of it.

I am also the board president of the Capital City Theatre in Madison. It’s a new musical theatre company, now in its third year. They have an amazing group of talented, hardworking individuals. The group most recently featured Gypsy and the show was a huge success.

12. WHAT WOULD YOU LIKE PEOPLE IN THE AREA WHO AREN’T FAMILIAR WITH MCT TO KNOW ABOUT IT?

I think the biggest thing you need to know is that MCT is a gem of classical theater and new works. It’s really a beautiful, intimate experience, and once you go see one show, you’re going to be hooked!

This upcoming season is the perfect time to check us out. There will be a little bit of everything. Artistic director Michael (Wright) has really created an amazing 2016-2017 season.

James Zager

An Interview with James Zager!          
[ Co-director of Master Class ] 

James Zager

What kind of research did you do to prepare for MASTER CLASS?

Since MASTER CLASS is based on a real event but is not an actual recounting of the event I spent a great deal of time looking at how Terrance McNally combined multiple students, 30 or so, into the three distinct characters we meet on stage.

You are co-directing the show with Jill Anna Ponasik. Please share a bit about the process and how it worked.

This is our 10th creative collaboration and each one has a slightly different configuration. We both have our strengths and we share a strong artistic sensibility so the real challenge is not talking at the same time or finishing each other’s sentences. For MASTER CLASS we started with Jill Anna focusing on the music and the classroom, with me on the text and technical elements, but once we got rolling we really shaped the show together.

MASTER CLASS is also in collaboration with Carroll University - where you are a professor. Could you share some details about that collaboration?

There are two main contributions; The projection surface, which is comprised of acoustic panels that came directly from our concert hall,and two fantastic student interns working as assistants to the stage manager and directors. This is a great experience for them to get a change to work at the professional level.

Although this is your MCT debut – you and your family have a long history with Milwaukee Chamber Theatre! Could you share that story and tell readers what it is like to now be working at MCT?

My parents have been involved with MCT since the very beginning and have been major supporters with both their time and money for 40 years. It is very possible that they will be serving a sundown supper between shows on a Saturday to this cast during the run. Besides getting to see so many of the early productions I myself participated in a number of 5 hour mailing prep sessions when I was home from college and licked more stamps for MCT than I care to remember! I sometimes wonder what they would have thought if their brash young son had said, between stuffing envelopes, that someday he would be directing at Milwaukee Chamber Theatre.

What aspects of the show are you most excited for patrons to see? What do you hope audiences take away from MASTER CLASS?

A look behind the curtain into a world that as preforming artists we are intimately familiar with but as audiences we never really get to see.

Melissa Cardamone

An Interview with Melissa Cardamone!    

                      [Sophie in Master Class]

Melissa Cardamone

Tell us a bit about your character, Sophie.

Sophie is a good, but not great singer. She is well-prepared, at least on the surface. She's an excellent student - her professors all enjoy her and she knows how to succeed in academia. Sophie has never really been challenged to dig deep and pour out her emotions. She wants to please Maria, but feels confused by all the stops and starts, and by the different filters through which Maria approaches the music, and she realizes she has so much more to learn than she has done so far. She goes through an emotional roller coaster, sinks into weeping despair, but eventually has an inkling as to what Callas wants from her. 

What did you do to prepare for this role? Any special studying or Maria Callas research?

I learned the entire aria my character presents, even though in the show I only get through a couple of phrases. :) Of course I read the script, learned my lines. We watched quite a few videos of Maria Callas to get a flavor of the real woman. My favorite was probably a snippet of the actual master classes she gave.

Is there anything fun or interesting about rehearsals and tech process that you would like to share with readers?

It is difficult as a singer to prepare an aria, then sing it not quite correctly so there are elements for Maria to shape and enhance. Especially difficult for me was to have poor diction. It is so ingrained in us singers to pronounce and project, to do the opposite is tricky! And since these students WERE chosen for the master class, it can't be TOO bad, or else it wouldn't make sense that they were selected to perform. 

Melissa Cardamone, Brian Myers & Angela Iannone
in MASTER CLASS

It was also interesting to participate in a show where the leading lady has done the role so many times and knows the show so completely and intimately.  The rest of us met the week prior to rehearsing with Angela in order to flesh out our characters on our own. That was valuable time spent. 

I also found it fascinating how much the show evolved in the transition from rehearsal room to the theater. The larger space rounded out the broader, more passionate emotions and I found them easier to digest as an audience member.  The lighting as well as the projections behind Maria give a glimpse into her memories and set the atmosphere for her flashbacks effectively. It was neat to see that transformation.

What aspects of the show are you most excited for patrons to see? What do you hope audiences take away from MASTER CLASS?

I think Angela Iannone is a force of nature. She is strong, frightening, vulnerable, funny and completely captivating. Her performance alone is worth the price of admission. She has done a ton of research into the woman who was Maria Callas. It's a little unsettling to be onstage with her -  that's how complete her embodiment of "La Divina" is. That being said, the entire ensemble has impressed me. I'm looking forward to sharing this story with an audience. There are so many insightful and acute observations in this show regarding singing and music, but also art in general. Hopefully audiences will be able to see what Maria expected out of students, and how much work and close attention the art of singing requires. As much as she expected out of her students, Maria expected even more out of herself.   

Alicia Berneche

An Interview with Alicia Berneche       
[ Sharon in Master Class ] 

Alicia Berneche

Tell us a bit about your character, Sharon.

Sharon is the sleeper Maria Callas. She is a nice person, had a lovely childhood, and has had a fine life so far. None of this has given her grit, the grit one needs to survive a career in opera, especially the top eschelons of the art form. She has a ton of talent, but it is the drive, the guts she needs to succeed. 

What did you do to prepare for the role? Any special study or research of Maria Callas?

I had already studied Maria Callas as a student, reading handfuls of biographies to learn about this amazing and singular singer. She could do more standing still and emoting than anyone. I brushed up a bit, but I needed to come at this as someone who doesn't know her end, only the story to 1971. I also own the actual master classes on CD, so I re-listened to a few of the sessions again. But, as this is the fictionalized version of them, I needed to divorce myself from the real to what McNally dramatized. I also have been singing the Macbeth aria for months to get it in my voice. It is not an aria I would EVER sing in real life (it is for a MUCH heavier voice than mine), so I had to learn a healthy way of singing it in my voice but still sing it in the style and force of someone who would sing it without any doubt, and multiple times a week, no less!

Is there anything fun or interesting about the rehearsals and tech process that you would like to share with readers?

Alicia as Sharon in
MASTER CLASS

It has been really interesting coming from an opera background into a straight theatre. There are slightly different conventions and language that we singers needed to learn, but it is heartening to know that we are all essentially the same in process and frustrations!   

What aspects of the show are you most excited for patrons to see?  What do you hope audiences take away from MASTER CLASS?

McNally has structured such a beautiful show. There are so many perfectly placed musical moments that echo what we are seeing and what we are about to see, so much mirroring of Callas' real life in her advice to the singers. It really explains the life of a singer and how truly singular Callas was to the art form. There are very few people who would truly give everything--their energy, time, money, love, EVERYTHING, for their art. Callas did that. It elevated her, but left her bereft and alone, and killed her in the end.