Marcella Kearns returns to MCT as Dahlia Travers, after appearing in MOONLIGHT AND
MAGNOLIAS and last season's Old Time Radio Drama broadcast in
collaboration with WPR.
Tell
us a bit about your character, Dahlia Travers
Dahlia is Bertie
Wooster's favorite aunt-- one with whom he actually enjoys spending time. I
think the feeling is mutual. She occupies her time not only in overseeing the
household at Brinkley
Court, her husband Tom's country home, but also in
running a "women's weekly" called Milady's
Boudoir.
What
are some of the benefits and challenges of performing in such a comedic
play?
The
benefits are many. Professionally, in light of one of the biggest challenges--
trying to find the precision and lightness that comedic work requires-- I'm
feeling really lucky to have some of the sharpest comedians I know in the room,
both behind the table and on the stage. I learn every day from them.
Personally, it's bliss to laugh so much every day.
Anything fun you’d
like to share with readers about JEEVES IN BLOOM, rehearsals,
etc?
Check
out the blog posts! More to come...
What
are some of your favorite moments in theatre that made you who you are
today?
My favorite moments in
theatre are those that are accidently metatheatrical-- those moments in which
the audience and artist experience intersect inadvertently, almost magically.
It's an incredible feeling, that moment in which we might not actually say it, but everyone in the room
acknowledges that we're all in a theatre experiencing that intersection. For
example, I was at a performance of Twelfth
Night at the Globe in London, and just as Feste began to sing his
song about how the rain "it raineth every day," the skies broke open and rained
on the audience. His delivery and shrug became an apology for London, and thousands of
us fell out laughing. At another performance in Vienna during the Mad Cow Disease scare in the
1990s, a time in which the continent wasn't importing British beef, a character
who has the line "But I am a great eater of beef, and I believe that does harm
to my wit" got a standing ovation. It's the moment in which someone in the
audience sneezes, and a character says, "Bless you." It acknowledges the
audience in a particular place and time as co-creators of that theatrical
experience.
What
do you like about being a theatre artist in Milwaukee?
I'm a
mid-size city kind of girl, and I like to travel-- I would get restless basing
myself in a megalopolis. Milwaukee has a very hardworking arts community
which contributes probably more than we know to local economic prosperity, so
it's possible to wear a few hats here and pursue a living in the industry.
That's great and one of the reasons why I chose to live here (I'm not a
native). Even better for me as a nomad in spirit, it's a good home base. It's
an attractive, livable place with access to other markets.
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